bird songs and tutti frutti twilight zone



a new musical project was born in Lisbon:

Vítor Rua: conception & synth
Rita Braga: voice & ukulele
Jonas Runa: kyma & berimbau & violin
Carlos Andrade: guitar
Antonio Duarte: piano & sound


Special thanks to Vítor Rua. All the songs were created and recorded in one night, under his directions.

euro tour diary: music, cartoons, videos, comics and Ancient Worlds!


starting from the end: three new music videos coming up from Brussels!

I’m collecting some memorabilia from the recent tour in Germany, France and Belgium… I was lucky to have a very special guest musician in every city, each with a unique different style and I met some very inspiring visual artists and musicians along the road! The tour lasted only 10 days but it was all very intense.


In Berlin, Ignatz B joined me at Madame Claude to play the electric blues. Ignatz is from Buenos Aires and he’s one of the bass players on my album. We met at Forte Prenestino in Rome on the first day he arrived in Europe, during Crack! comics festival which I played in 2010 and 2012. Ignatz gets involved in some interesting projects such as experimenting with music for plants in the jungle in Paraguay!

Here is a clip of our rehearsal doing the song “Can’t Help Lovin’ Dat Man“:


The next night I made a short performance at the Balboa Swing Club in Neukölln. I performed acoustically some tunes from the 1920’s for a dancing audience, some dressed in proper outfits! There I met my friend Jacob, who was telling me about the series of films he worked in Ethiopia together with Vincent Moon: if you are into African music I really recommend watching “GAGAMO” and “THE HARP OF KING DAVID”.

My lovely host in Berlin was Judith Sönnicken, who has an upcoming art show in Lisbon, opening on March 14th at Museu Geológico. She’s also preparing a newspaper for SPIES. Judith is a great artist working in different types of media with a lot of humor. Check out her blog!


I went for the first time to Hamburg and played at a very neat gallery which just opened nearly a month ago – Kraniche bei den Elbbrücken. The program was perfect together: there was a very cool exhibition by Canadian artist Kalyani Hemphill (here is a sample of what she does), plus a surprise show by Epiphany Now from Berlin and the wonderful sounds of the Magical Flying Love Lab (I include a clip to their music below, under the birds).

At this show Felix Kubin joined me with his magical keyboard on the Russian song “Dark Eyes”. Recently I attended his “Futuristic Kitchen Music” workshop in Porto. I’ve been a fan of his music for years since I saw his concert in Porto in 2005 and one of the things I admire in his work is a rare capacity of putting together sounds, performance, film and live visuals in different ways that really blend, adding a lot of cartoony influence!


kraniche birds hanging from the ceiling


In Paris I arrived in a studio filled with visual artists (a load of comics artists), and saw a lot of imaginary worlds pouring into papers in one room! I was very impressed by the works of Florent Ruppert & Mulot; Maison Chapelle; Kader Benchamma (currently no website but he showed me his fantastic book “Dark Matter”) , Sophie Yanow, Alizée De Pin, Adrien Parlange… and exchanged a cd for “Mambo”, one of the best comic books I’ve seen in years by Claire Braud!

At the concert at le Vieux Léon I had  Terry Lee Hale joining in some old country classics! Mr. Hale is a singer songwriter from Seattle (he was a booker in the early “Grunge” period and later moved to Europe and went on a solo musical career with a long discography by now) and we had played together before at the One Wo/Man Band Festival in Portugal last year. Opening for the show was Alma Forrer and her band. Alma is a fantastic folk singer, listen to this song !


In Brussels I arrived in the huge maison of an excentric art collector, who has objects in his room going from Ancient Egypt to Tesla-like decorations and surrealistic paintings, Greek and Medieval statues and a bedroom filled with early Catholic art which looks more like a Russian Orthodox church (I swear I’m not making this up). Since all the props were already there, and I had a high-tech photographer (name: Rudy Candillon) and a very creative friend sitting next to me, we shot three music videos and had a lot of fun. Now I need to learn a bit about video editing to put it all together but I’ll get to that soon.

There was no gig in Brussels but I met a human jukebox who invited me to play next time at Cinema Nova, which shows a lot of independent film and animation.


old friend from Ancient Egypt. does he look a bit like a monkey?


Last stop: Gent! I went to this cute Flamish town to visit Nik and Nancy Phelps. Gent seems like a medieval town made of sweets and chocolate. Nik and Nancy moved from San Francisco back in 2006, when I attended their workshop of “music for animated cartoons” at the Monstra Festival in Lisbon, and Nik recorded the clarinet on my album in the songs “Under The Moon” (the tall cartoon dog playing the clarinet on the clip actually looks like him) and “You’re The Cream in My Coffee”. Nik Phelps composes music for animation and has played with Tom Waits, Zappa, and he was a member of the Club Foot Orchestra. Nancy has a deep film and animation culture, she attends festivals around the world and writes reviews for them on her “Sprockets” animation blog.  We jammed to an old tune by Fats Waller and I will finish this post with a rendition by one of my all time fav singers, miss Annette Hanshaw:


Talking of Nik Phelps and Annette Hanshaw, have you watched Nina Paley’s “Sita Sings The Blues”? She made the movie FREE. Nina did this award-winning feature animation film all by herself – everything except for the sound, and Nik was one of the film score composers, plus some Indian musicians and old recordings by Annette Hanshaw which appear in a combination of Bollywood with Hindu mithology and 1930’s cartoon setting. Download Sita from! And check out Nina’s blog with her very cool works, now she’s into sewing Shedu designs on quilts.

2012 in review * Happy New Year from Super Braguita! *


It’s been quite a year! In the beginning of 2012 I moved to Porto. There I started collaborating with Frankão who is an awesome percussionist from Brazil and he became a usual guest musician at my gigs. Toured many towns in the north of Portugal. First show in the Netherlands sharing stage with the uniquely fabulous Harry Merry; first shows in Barcelona and nearby (Tarragona and Reus); a one wo/man band festival in Portugal sharing stage with Terry Lee Hale; a rock festival in Bordeaux; a few comics/graphic arts related festivals and events around the world (workshop in Deliblato Sands, an ex-desert in Serbia; Crack! Festival in Rome; Oficina Arara in Porto; Prego Espaço de Arte in Brazil, and the Comics Festival in Beirut). Plus an album release party with musicians from Singapore and the Philippines in Lisbon (a new song in collaboration with Randolf Arriola); an improvised Summer tour in Spain and Portugal, joining Nick Castro & The Silver Phial from LA. The first highlight of the year was performing at the opening of the Panazorean Film Festival in São Miguel, Azores with her bandmate Chris Carlone (Chips and Salsa meeting on an island almost half way between Lisbon and NYC!). And finally a first Brazilian tour, starting an all-star band in São Paulo, os Indiozinhos Psicodélicos: 2 electric guitars, bass guitar and drums joining a ukulele which is used to travel alone. Plus a Japanese goodbye party in São Paulo with everyone dressed in kimonos and a music video in an old factory surrounded by some 40 preschool children, ukuleles and balloons. Getting ready for new concerts, recordings and a first Chips and Salsa release in 2013! Happy new year everyone.

3 new videos in Lisbon

RB was a guest of the project “A Musica Portuguesa A Gostar Dela Própria” by director Tiago Pereira, an online channel/archive which attempts to register in video all the contemporary music being made in Portugal. You can view the 3 videos here, all shot at LX Factory in Lisbon.


Filmado no Espaço Três 21 na Lx Factory
26 de Julho de 2011

Realização: Tiago Pereira
Som: Márcia Sousa

Panasonic DVX100
Beyer dynamic